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Comic Dreams

Recently, I’ve been thinking a lot about the Birds of Prey tie-in comic that never was (check out art from that abandoned effort here) and about the other DC shows that have been given the comic treatment; Smallville, Arrow, Flash, Batman ’66, Wonder Woman ’77 to name a few. With so much attention on DC Comics at the moment and all the comic reboots of old shows and universes, I thought it would be awesome to see what a Birds of Prey revival comic would look like now.  So, I found an awesome artist, Ben Cloutier, and commissioned him to come up with a comic cover for our beloved Birds. Happy to report, the results are pretty awesome!

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Added the DC Comics and WB logo for fun, but of course they have no affiliation with this project.  This is just me fanboying out on what could be. Ben’s art is absolutely stellar and captures the characters in front of their Clocktower base, ready for another night out, defending their city. I would love to write a few short stories for a comic in the future, but that’s not in the budget at the moment.  For now, I love looking at Ben’s art mocked up into a sort of “What Could Be” comic cover. Please check out Ben’s DeviantArt page where he posts his work and takes commissions at a VERY reasonable price, especially considering his talent.  And if you happen to know someone at DC, you tell them I’ve got a great idea ready to go!

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BoP Goes POP!

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There are a ton of things that fans never get to see when a show is canceled after 13 episodes. With a few notable exceptions (sidebar: Firefly fans are so spoiled!), 13 episode shows never get good media coverage, behind the scenes featurettes, good DVD releases, or that all encompassing word for everything that fans enjoy throwing money at, merchandise! Birds of Prey left a giant, birdarang shaped whole in my childhood when it left because I knew I would never see any cool figures, shirts, comics, or even coffee mugs  with my favorite characters on them. Over the years I’ve managed to put together a respectable Birds collection, but the little kid inside me was still hoping for some toys.  I customized a few action figures during the show’s initial run of Huntress and Oracle and Harley to varying degrees of success, but it was my girlfriend’s recent fascination with Funko’s POP! Vinyl line that made me think of another project. So, after some time on the Funko website and a ton of research into customizing the little devils, I went about making my very own Birds of Prey POP! figures.

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I knew I wanted to make a Huntress and Harley Quinn figure, so my first step was to decide what base figures I would use to Frankenstein the characters together. I knew I wanted to find heads that I wouldn’t have to change, since any alterations to the heads of these toys are always very obvious. For Harley, I chose the head of the Bride figure from Kill Bill and the body of Willow from Buffy. For Huntress, the head of Emily from Bioshock fit perfectly, but the body was a bit tricky. I searched the entire POP! line for the perfect body, but nothing jumped out at me. Knowing I had to get creative, I noticed the upper body of the Emily figure was pretty spot on to what I wanted Huntress to be, even down to the corset and choker necklace.  So, I took a gamble and decided to use the top of the Emily figure with the legs of the Bride figure I was already buying.

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Before I started working on the bodies, I removed the heads by placing them in boiling water for a few minutes. The heat weakens the plastic and the glue around the neck, making them weak enough that you can pull the heads off. Once decapitated, I got to work using a two-part resin called Magic Sculpt. I’d never used it before, but it worked perfectly.  For the Willow body, I just filled in the V-neck collar so there would be a smooth surface on the front chest where I would ultimately paint the character’s diamond design. Huntress, however, was a bit more complicated.

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I started Huntress by cutting both the Bride and Emily figures in half at the waist so that I had the legs and torso I needed. Then, using the resin, I joined the two and filled in the gap with the character’s belt. To create the coat, I used a piece of cape from an old Justice League Unlimited Superman figure and heated it with a lighter to shape it to the figure’s body. I then glued the cape in place and used the resin to smooth it all out.  The result was a little assaulting on the eyes, but ultimately right were it needed to be.

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Thankfully, paint and sealer saved the day on both of the figures.  Then, I just had to reattach the heads and voila! The Birds of Prey figures that never were! I’d love more than anything to tell you I’d figured out a way to create an Oracle figure, but I don’t have anywhere near the sculpting skill it would take to come up with a mini wheelchair. So for now it’s Huntress and Harley, standing side by side on my desk, waiting to see who will throw the first punch.

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The Psycopath’s Closet: What is Harley Quinn Wearing?

So, I’ve been starting to investigate a few BOP-related artsy projects but to tackle one of them, I have to finally face a question about the show’s finale that has plagued me for 12 years now: What the hell is Harley Quinn wearing?!

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I’m completely serious.  Maybe the answers are super-easy and obvious to everyone else out there, but for me they are a baffling, enigmatic mystery.  Throughout the series, Harley has some pretty flamboyant, verging-on-runway outfits (though, so does Helena), but for our purposes I am focusing specifically on her “I’m Taking Over The Clocktower Tonight” outfit from the end of “Devil’s Eyes.”  Here, she is finally out to the Birds as the “evil, pyscho bitch” that we’ve always known she was, and taken control of home base in an outfit that was originally written to be the character’s classic jester unitard, but become more homage than anything. I don’t dislike the costume AT ALL as a practical interpretation of the character. In fact, I quite like the look and have drawn it more than a few times on my Harley Quinn sketches throughout the years. I am however, at the same time, completely baffled by the wardrobe and simply want to know what is going on! Let’s break the costume down a bit…

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The Top

This I don’t really have questions about (accept one, which we’ll get to later). Obviously, this is some kind of tight, red turtleneck that has been modified by the costume department to feature an open front with the character’s trademark three diamonds from the comics.  Pair that with the red leather gloves, and things are off to a reasonable, distinguishable start.

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The Belt

Here is where things get a little tricky though. As the gateway drug to the rest of the costume, this wide, leather (?) belt has a red design on the band and a long red sash that hangs off the back. I’ve never been able to make out the design well, but best guess is some sort of flower design. The red sash on the back also brings along some questions as it may or may not be attached to the top somehow as well. Again, I have NO idea!

Cap courtesy of ashleyscott.com.

Cap courtesy of ashleyscott.com.

The Skirt/Pants

So, I’ve been told that a skirt-over-pants was somewhat in fashion at the time, but still, it’s just confusing. From what I can tell, its a loose pair of short, black capri pants under a black skirt with red piping. My question is, was this a common occurrence? Are these items meant to be together, or was this a Birds of Prey special?

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The Shoes

NO CLUE what is happening here? Appears to be some kind of heeled boot with the black/red accents thing going on and red socks. Are these a real shoe? I mean, it seems most likely that the crew would have bought off the rack, but I have never once seen a shoe like this anywhere in the real world. Just another part of the mystery.

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So there it is. Kind of embarrassing that after 12 years, I still have no idea what this costume is, but that’s my cross to bare. Most likely scenerio here is that, for the final episode of this short-lived show, the costumers didn’t have any real time to make a comic-accurate Harley costume, and instead customized a red top and then got the rest off the rack, but I don’t know for sure.  Of course, I’ve tried contacting some of the wardrobe department from the series, but was never able to get an interview, so the mystery lives on. Such a strange thing to be posting about, but its one of those things that happens when you are obsessed with a show that came and went for so many others. Sometimes, you just have to be the crazy.

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Podcast Interview with Ashley Scott, September 8th!

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The word is out.  Broken Wings: The Unofficial Birds of Prey Commentary Podcast returns September 8th with a very special interview with the Huntress herself, Ashley Scott! There are no words for how excited I was to talk with Ashley and to get this interview out to her fans. Check back Tuesday, September 8th for the new podcast and subscribe to Broken Wings on iTunes. Fans of Ashley Scott should also check out ashleyscott.com and follow Ashley on Twitter, @IAmAshleyScott.

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From Page, To Screen, To Page Again

Back in the day, when WB and DC hadn’t completely abandoned the Birds of Prey, there was hope of actual merchandise the show.  Not just promo poster and text book covers either, I mean real, promotional merchandise that would have been on shelves!  In stores! Specifically comic book stores when it comes to the Birds of Prey tie-in comic that was in the works.  DC planned a single issue comic to feature TV’s own Birds of Prey, which likely would have become an ongoing series if it sold well.  I recently had the great pleasure of talking with Lysa Hawkins, who was the comic’s editor before the show’s cancellation.  Lysa, who’s published credits include Birds of Prey (the original series), Batman: Gotham Knights, and Catwoman, to name only a few, very kindly not only shared the following artwork with me, but also added to my Birds of Prey collection.  More on that next time though.  For now, I give you the birds, as you’ve likely never seen them before…

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Drawn by the incomparable Joe Prado, from what I can tell, this piece was created as a personal gift f0r Lysa. Drawn in pencil, this piece is incredibly detailed and shows the Birds as they would have appeared had the comic ever reached the rack. As usual with media tie-in art like this, the likenesses of the girls is based very much on promotional photos released by WB during the show’s run. Some interesting, artistic liberties are taken here as well, with the difference to Huntress’s choker probably the most noticeable to fans. So glad Lysa was willing to share this art, but it just makes the fact that the book was canceled all the more heartbreaking!

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I hope to be able to uncover more art from this proposed issue some day and, if I’m lucky, maybe a plot synopsis at the very least.  For now though, let’s all just enjoy this piece and fantasize about how great it would be if DC ever revived the show in comic form.  Yeah, I’d buy that!

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Here’s What Happened to the Caped Crusader: Repercussions of The Killing Joke in Birds of Prey

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To any Batfan who’s never taken The WB’s 2002 to (just barely) 2003 series Birds of Prey seriously, take a few minutes to consider the following. Birds of Prey was the first entry into Batman’s live action television journal since the days of Adam West. Taking its cues from the Tim Burton films and Batman: The Animated Series, Birds of Prey had a lot to offer fans by way of firsts, with live action versions of Oracle, Harley Quinn, Lady Shiva, and even Clayface among them. Most notably though, the series was the first medium beyond the comics page to tackle elements of Alan Moore’s seminal classic, The Killing Joke. Though a key moment of the story is only briefly depicted in the pilot episode, the Joker’s crippling of Barbara Gordon is so essential to the series that without it there is no reason for the Birds of Prey team to exist.

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The Killing Joke is a modern classic that has sparked countless conversations and controversies since it’s publication in 1988, but none more relevant to Birds of Prey than what we’ll call the Final Fight analysis. In this reading, the classic story doesn’t end with Batman and Joker sharing a laugh at a bad joke, but instead with Batman, after giving the Joker one last chance to start anew and seeing the futility in their ongoing battle, killing the Clown Prince. While the ongoing publication of Batman comics with a very much alive Joker character might seem proof enough to discount this theory, it is important to note that Birds of Prey presents no such world. Instead, the show’s universe is one where Batman and Joker are notably absent, with only their respective legacies (Huntress and Oracle, Harley Quinn) left to represent them in Gotham. But is the absence of these two icons and the repercussions of the Killing Joke story elements enough to view Birds of Prey’s world as one where Batman breaks his one rule?

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WHAT YOU NEED TO KNOW ABOUT BIRDS OF PREY

Birds of Prey centers around two superhero women and their new protégé protecting the city of New Gotham (Gotham City post a No Man’s Land level earthquake). Leading the team is Barbara Gordon, the Oracle. Barbara once operated under Bruce Wayne as Batgirl. This was the way of things until Batman and Batgirl’s final battle with the Joker. The villain was defeated and gift wrapped for the police by the dynamic duo. However, the Joker briefly escaped custody that night, using his final free moments to shoot Barbara in the spine and send a man to kill Selina Kyle, the Catwoman and Bruce Wayne’s one true love, in front of her daughter Helena, Bruce’s unknown child. Barbara was paralyzed by the injury and has since rebuilt her life and alter ego as a wheelchair bound hacker. Her muscle in the field is Helena, the Huntress, who has grown up to follow in her parents’ footsteps. Helena did not know who her father was or what her mother used to do with her nights until after Selina’s untimely death.

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WHAT WE KNOW FROM THE SERIES

The series gave very little service to where Bruce Wayne was at the time. In the pilot episode, Barbara Gordon tells Dinah, the young runaway and would-be-Black Canary had they made it to season two, that after the night she was paralyzed and Catwoman was killed, Bruce stayed around (New) Gotham for “a few months” and then up and disappeared. While it is unknown whether he was active as Batman during those months, we do know that during this time he met Helena for the first time, where upon she asked him to find and kill her mother’s then unknown murderer. Bruce refused, thus beginning Helena’s trademark daddy issues that plague her throughout the series.

The only other piece of information we know about Batman is given to us in the last scene of the series, when Alfred, relaxing with a brandy by the fireplace at stately Wayne Manor, finishes up a conversation with “Master Bruce”. To quote Mr. Pennyworth: “And Master Bruce, your daughter is doing very well. You should be most proud. Most proud indeed.” First off, given the final episode’s citywide riot and his daughter’s roles in ending said violence, why in the name of God would Alfred wait to mention Helena until the end of the conversation? Regardless, this small, one-sided exchange confirms that Bruce is not only aware of his daughter’s current activities, but also that Alfred is, at the very least, occasionally contacted by him; more likely that he knows Bruce’s current location. To sum up, Bruce Wayne is alive, stayed in New Gotham for several months after the Joker’s attack, has knowledge of the Birds of Preys’ activities, and is at least occasionally in touch with Alfred.

While the amassed knowledge about the Batman’s comings and goings are slim at best, even less is known of the Joker’s whereabouts. It is assumed that bars are involved though, as Harley mentions “New Gotham ran the Joker out on a rail. And now he’s locked up in a prison far away from here. This city is going to pay for what they did to my sweet Mr. J.”

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WHERE THE PROBLEMS LIE

While the clown being locked up may seem like a logical conclusion to draw from the show’s reality, this is not true in the world of Batman. As Max Schadler so succinctly mentioned in the Episode Two of Broken Wings, in almost every Batman narrative, whenever the Joker is defeated for the time being he goes to Arkham Asylum to lick his wounds until he can hatch another plan. Due to the criminal’s perceived mental state, incarceration at a penitentiary level has never been attempted as his damaged, fractured mind belongs, in the eyes of New Gotham lawmakers, in an intensive psychiatric care program at the local asylum. Harley’s statement flies in the face of any logic a Batfan can bring to the world of the Dark Knight. The line presumes that, against all odds, the legal system of New Gotham City, after years of doing otherwise, somehow saw fit to send a known psychopath, brought to justice by a masked vigilante who, in this world, most citizens never even knew existed, to a high security prison, far beyond the city’s jurisdictions and control. It is an explanation that just doesn’t make sense!

Additionally, throughout the series, despite the fact that Barbara Gordon is the leader of the Birds team, there is one mention of her father, Commissioner Gordon’s, role in the war on crime, though the Birds deal as much with the (N)GCPD as Batman did in his day.

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CONCLUSION

For starters, the Joker isn’t in any prison. The Final Fight theory supposes a much different fate for the Clown Prince of Crime, stating that in The Killing Joke’s final panels, Batman takes the Joker’s life in sight of approaching police vehicles. While this theory has been discussed since publication, it was recently brought to light when famed Batman writer, Grant Morrison, discussed the subject on Kevin Smith’s long running podcast, Fat Man on Batman. And though the theory is disproven by the continued publication of Batman vs. Joker stories in the comics, it does throw into the spotlight a possibility in the Birds of Prey narrative that was never explicitly dealt with in the series.

Here’s how it could have gone…

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As Barbara tells Dinah in the pilot episode, she and Batman had worked tirelessly to take down the Joker’s underworld infrastructure. Their work finally pays off one night and the duo find the clown in the middle of an inferno in the New Gotham dockyards. A beam almost falls on the Joker which likely would have killed him had Batman not swept in just in time to save him, a mistake he will pay for dearly.  The Joker is beaten and handed over to (the presumably active) Commissioner Gordon. Sadly though, fate being almost as corruptible as the city itself, Joker slips the noose of the NGCPD for a few hours which proves to be just enough time to send (Spoilers!) Clayface to kill Selina and to attack Barbara himself. As both women are close to Batman and attacked out of costume, these two acts are clearly done as a message to Batman and any in his inner circle. If Joker discovered that Selina Kyle is Catwoman and Barbara Gordon is Batgirl, he must also have known the identity of the man behind the bat. These attacks are a checkmate against Batman. Not only has Joker figured out everyone’s dirty little secrets, but has, without provocation, stepped beyond the arena and attacked two people dear to Bruce Wayne’s stone cold heart. Rather than make more loved ones suffer the pain that is soon to follow them, Batman instead tracks down the Joker and stops him for the second time in the same night. Only this time, the effect is permanent.

Though well beyond his legal right to do so, neither Batman nor Commissioner Gordon could possibly be operating in their right minds after what the Joker had done. The evidence was covered up and, those few citizens and police officers who knew of the Batman’s existence were fed an easy to swallow, tough to dismiss story about a far away prison capable of keeping the Joker out of New Gotham for the rest of his life. Wracked with guilt, Commissioner Gordon retired soon after, severing Batman’s strongest tie to New Gotham law enforcement. Then, lost in regret, Bruce Wayne does what he thinks to be best and removes himself from the temptation of ever being led done the path to murder again. His absence from the series is then not the reclusive move of a heartbroken hero, but a self-induced exile as punishment for finally taking his role too far.

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This theory takes a lot for granted and I doubt it was on any of the producers’ minds, but that doesn’t mean it isn’t valid. And though I’m sure many fans wouldn’t be comfortable with killer Batman, personally it’s a thought I prefer to any other explanations I’ve encountered. Regardless, there will never be definitive answers to these questions about the Birds of Prey universe. So, I guess the joke is on me.

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